Jeri Jacquin

Currently in theatres from writer/director Robert Eggers and Focus Features comes another retelling of the story of NOSFERATU.

Ellen Hutter (Lily-Rose Depp) is a young woman living with her husband Thomas (Nicholas Hoult) in Germany. As an estate agent, Thomas is hoping that his position as Schloss Grunewald will give him an opportunity to bring a wonderful life for his wife. Called in to see his employer Herr Knock (Simon McBurney), Thomas is told that he would be traveling to visit the recluse Count Orlok (Bill Skarsgard) who wishes to purchase property in Wisborg.

Thomas asks friends Friedrich Harding (Aaron Taylor-Johnson) and wife Anna (Emma Corrin) to look after Ellen as he travels to Transylvania. Arriving after weeks, he is greeted with hostility by the Romani townsfolk and witnesses a ritual that is shocking. Having to make the rest of the journey to Orlok’s castle, he is greeted by Orlok and the appearance is disturbing to Thomas. Yet, he does what he must to finish the paperwork so he can return home to Ellen.

Lord Orlok has other plans and it includes also wanting to return to see the lovely young Ellen. Thomas realizes that he must escape before the nightmares and their effects consume him. Near death, his makes his way home without realizes that Ellen is also suffering melancholy to be confronted by scientist Albin Eberhart Von Franze (Willem Dafoe). Olek has no choice but to sail for Wisborg in a rat infested ship, using the scurrying creatures to cause havoc in his new hometown met by Knock.

Wisborg is struck by the plague and Thomas attempts to regain his strength as Ellen realizes that her own dreams and nightmares are caused by one thing. Now, Thomas, Dr. Wilhelm Sievers (Ralph Ineson), Von Granze and Ellen must come together with a plan that can put a stop to the madness and destruction happening in their town.  

Hoult as Thomas is a man that clearly wants a standard of life for himself and wife Ellen. Accepting an assignment that could bring him financial reward, it could never have imagined what was truly to come. Hoult has truly spent the last few years covering almost every genre of film and standing out. In this film he is challenged with horror and a bit of bravery all in the name of love. Depp as Ellen is clearly a woman who suffers from a strange malady. Finding refuge in her marriage, it is only a temporary reprieve. Depp gives her character the look of a woman struggling to discover what is true in her life and what is madness.

Skarsgard as Orlok is a strange character but that is nothing new for this actor. The mystery is in how Orlok truly looks which is masked by shadows. The other problem for me is that the attempted accent muddled the speech so much I gave up trying to understand him. Pennywise and Orlok do have a lot in common and that’s where Skarsgard wins. Dafoe as Von Franze comes across as slightly rattled in his own mind with zippy Shakespearean one liners causing a bit of chaos trying to convince everyone that there is a vampire present.

Taylor-Johnson as Fredrich is a wealthy man who befriends Thomas and Ellen. He loves his wife and children and as the world becomes unhinged, Taylor-Johnson character has a difficult time grasping the reality of the situation. Corrin as Anna loves her friendship with Ellen and is distraught at her condition. There is nothing Corrin’s character Anna won’t do for Ellen and it may cost her.

McBurney as Knock is the servant of Orlok but that doesn’t mean his opportunity to cause a little mayhem on his own isn’t possible. Creepy and dedicated, every opportunity McBurney is on screen is a chance to shock. Ineson as Sievers is a former student of Von Franze and doctor to Ellen. Seeking help to discover the cause of a young woman’s malady, he knows that his mentor may be a little off, but brilliant none-the-less.

Focus Features’ mission is to make a lasting impact on global audiences by creating the home for artists to share diverse, distinctive stories that inspire human connection. Focus Features is part of NBCUniversal, one of the world’s leading media and entertainment companies that brings entertainment and news to a global audience. For more of what they have to offer please visit www.focusfeatures.com.

NOSFERATU is a film that is grey, dark and filled with vampyric folklore. That being said, I was not overwhelmed by it at all. It felt campy, with overdramatic characters that felt more like this should be a stage production and not a film. Changing the names and locations just didn’t work for me as it felt more like Eggers was trying to create a different vampire story. That’s fine but then do just that – be original and stay out of another writers back yard.

The cinematography was beautifully done with the exception of a few wonky camera sweeps and the music added a nice touch of eerie to the scenes. However, the 1992 film BRAM STOKER’S DRACULA continues to be my standard and this film hasn’t changed that opinion. It is unfortunate that NOSFERATU could not find its footing because, and let’s be honest, we want to see, understand and be scared of the being in the coffin and Orlok just isn’t any of these things.

Personally, it is not a good sign when the audience is talking and giggling during the film constantly and leaving after disappointed.

In the end – succumb to the darkness!

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