Silent as the Grave
Molly Murphy Mystery Book 21
Rhys Bowen and Clare Broyles
Minotaur Books
March 11th, 2025
Silent as the Grave by Rhys Bowen and Clare Broyles is a suspenseful historical novel. The book opens with a bang where the prologue immediately draws readers in.
Molly is contending with raising her young son, a 5-month-old infant, and her 14-year-old adopted daughter, Bridie. Her good friend Ryan O’Hara invites Molly and the children to watch the film he is making. After one of the actresses is fired, Molly’s adopted daughter, Bridie, is called to replace her in the scene. Turns out she’s a natural and is asked to star in the rest of the film. Molly is skeptical about leaving Bridie alone on set, but her great friends, Sid and Gus, offer to chaperone her.
There are mishaps on the set, including a fire in the editing room and Bridie’s near escape with death while filming a difficult stunt. Molly believes that the mishaps are not just coincidences, but sabotage. She accepts the invitation to find out what happened, especially since Bridie almost died.
This is an engaging mystery with a bonus that readers learn more about the budding movie industry.
Elise Cooper: The idea for Hollywood like filmmaking?
Rhys Bowen: This is a non-Hollywood movie because all the movies were made in New York in the beginning. The character Molly lives just off 6th Avenue and Greenwich Avenue, close to the Biograph Studios.
Clare Broyles: I had read some articles that the actual father of film disappeared suspiciously when he got on a train and never got off. He had been in an argument with Edison before that happened. There was an interesting intersection between the family of the father of film and Edison that included lawsuits and studio ownership.
EC: Do you agree Edison was not the nicest of people?
RB: He was a bully who used thugs, blackmail, and intimidation against his rivals.
CB: He did steal inventions from other people. He was good in getting patents in his own name. There is proof that there was another movie, a film made of children, before Edison supposedly invented a movie camera. This makes more of the backdrop for an interesting mystery.
EC: Was the scene with the body on the train tracks real?
RB: Clare is the brilliant researcher. In the early movies there were no stunt doubles, and the actors took enormous risks to get the perfect shot. When the Keystone Cops went around the bend in the moving truck as it swings around the corner, it was real. The train operator was never told there was a body on the tracks. People really did die.
EC: Why did you have Mary Pickford and DW Griffith in the story?
CB: She started in vaudeville, which is how we would locate the time frame. We started in April 1909 when she came to Biograph Studios, because that is when she started out in pictures. It also fit because of the practicality picture. Molly was a sleuth with a baby, and we wanted the baby to be old enough to be left with a nanny, at 5 months of age.
EC: How would you describe the differences between the Biograph Studio owners, Arthur and Harry Martin?
CB: They are based on real brothers where one brother was the studio head and the other had a junior position. The character brothers were purely fictional, that they were twins, dressed alike, and looked alike. Arthur is more volatile while Harry is more of a ladies’ man and controls the power. There was a jostling of power.
RB: It came about because of something that happened in my youth. I was staying in this Italian hotel where the owners had a charming son. The next day he was incredibly rude. Turns out they were twins. We thought it would be fun to be put in the book.
EC: Can you speak of the character Alice Mann?
RB: She is based on a real person, a French woman, Alice Guy. She is listed as a secretary or assistant, but she is the one who came up with a lot of the innovations for cinematography. She invented the fade in/fade out by putting a cigar box over the lens of the camera and slowly opening it and closing it. Women did not get the accolades. Even today, how many female directors are there, not many? Look at the current Oscars regarding editing, directing, and producing it was all men.
EC: Did you intentionally want to make the mystery surrounding all the “accidents?”
CB: There was a lamp falling, a fire, and the train scene. We had to figure out a way to get Molly involved in the mystery when she has a five-month-old baby. The accidents are a way to get her fully invested because someone has threatened her adopted daughter, Bridie’s life. The accidents happened to pull Molly in to solve the murder mystery.
RB: We did the prologue intentionally to grab the readers. We needed to have a lot of set up before something dramatic. It is a signal that said danger is coming.
EC: Next book(s)?
CB: In the next Molly book, we are moving closer to her achieving her goal of opening her own detective agency. The arc of the series has gone from her having a detective agency not in her own name, pretending to be a man, to stepping out in her own right for a Molly Murphy Detective Agency.
RB: The next Molly book has a working title, Vanished in the Crowd, coming out this time next year. It will be about women suffrage and scientists. She will be hired to find a woman, a scientist, who has vanished and what happened to her. Daniel, her husband, is coming around to more and more appreciates her skills.
RB: My historical novel comes out in August, titled Mrs. Endicott’s Splendid Adventure. It is about a middle-aged woman in England, the perfect wife, until at the age of fifty, her husband decides to get a divorce. She steals his Bentley and with three other women drives to the South of France. They forge a new female bond. I will also talk about how WWII is coming to France. She becomes part of a group helping Jewish men escape.
THANK YOU!!
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